[Magazine Cover & Article]: “Immersion”, Neue Zeitschrift für Musik, Issue 4/2025

Online source:

https://musikderzeit.de/ausgabe/immersion/

https://musikderzeit.de/artikel/klang-einverleibt/

Cover: hier, anderswo (2022) © Hyunju Oh

https://www.ohyunju.com/installation-2/2022/12/9/hier-anderswo-en-here-elsewhere-2022

Artikel-Titel: Klang, einverleibt – Die Audio-Drama-Installationen von Hyunju Oh
Autor des Artikels: Bernd Künzig
Erschienen in: Neue Zeitschrift für Musik, Ausgabe 4/2025, S. 50

«Der leere Raum» – so nennt der Regisseur Peter Brook seine Konzeption des Theaters. Das ist rätselhaft, visionär, weit gedacht und doch zutreffend. Zu kurz gegriffen ist die Vorstellung des Theaters als architektonischer Raum einer vom Publikum getrennten Guckkastenbühne. Zugleich ist «Der leere Raum» die verknappte Darstellung des Theaters als einem Ort, an dem gespielt wird. Es geht nicht in erster Linie um Darstellung und Repräsentanz, sondern um das Spiel mit verschiedensten Mitteln. Es können Texte, Körper, Bewegungen, Gegenstände, Bilder und auch Klänge sein.

Article Title: Sound, Embodied – The Audio-Drama Installations of Hyunju Oh
Article Author: Bernd Künzig
Published in: Neue Zeitschrift für Musik, Issue 4/2025, p. 50

“The Empty Space” — this is what director Peter Brook calls his conception of the theater. It is enigmatic, visionary, expansive in thought, and yet accurate. The notion of theater as an architectural space, a proscenium stage separated from the audience, is too limited. At the same time, “the empty space” is a condensed description of theater as a place where play takes place. It is not primarily about representation or depiction, but about playing with a wide variety of means. These may include texts, bodies, movements, objects, images, and also sounds.

기사 제목: 체화되는 소리 – 오현주의 오디오 드라마 설치물
기사 저자: 베른트 퀸치히(Bernd Künzig)
게재: Neue Zeitschrift für Musik, 2025년 4호, p. 50

〈빈 공간〉— 이것은 연출가 피터 브룩이 자신의 연극 개념을 일컫는 말이다. 그 표현은 수수께끼 같고, 비전적이며, 사유의 폭이 넓으면서도 정확하다. 연극을 단지 객석과 분리된 프로시니엄 무대라는 건축적 공간으로 이해하는 것은 지나치게 협소하다. 동시에 〈빈 공간〉이라는 말은 연극을 ‘무언가가 연행되는 장소’로 단적으로 묘사하는 표현이기도 하다. 연극은 무엇보다도 재현이나 묘사에 관한 것이 아니라, 다양한 매체와 요소들을 가지고 ‘놀이(플레이)’를 펼치는 것에 관한 것이다. 그 매체에는 텍스트, 신체, 움직임, 사물, 이미지, 그리고 소리까지 포함될 수 있다.

[Group Exhibition] Resonanzen - Künstlerhaus Lauenburg

Resonanzen

Fließende Übergänge und akustische Zwischenräume

Ausstellungseröffnung: 23. November 2025 – 15.00 Uhr

Mit künstlerischen Arbeiten von:
Anja Erdmann, Marvin Fassmann, Felix Mayer, Maja Meedom, Hyunju Oh, Hanne Römer/ .aufzeichnensysteme, Nicole Schuck, Peter Strickmann, Eveline Vervliet, Heiko Wommelsdorf

Kuratiert von Heiko Wommelsdorf und Marita Landgraf


Grafikdesign: Káschem Büro und Leon Lechner

Das Ausstellungs- und Veranstaltungsprogramm des Künstler:innenhauses Lauenburg setzt sich im Herbst 2025 und in 2026 mit der Frage auseinander, wie wir als Gesellschaft mit Unsicherheiten und Herausforderungen umgehen können, welches Potential darin liegt und wie positive Zukunftsvisionen aussehen könnten. Dabei wird ein metaphorischer wie physischer Bezug zum Wasser, zur Elbe, hergestellt, die täglich vor dem Künstler:innenhaus vorbeifließt und den Ort prägt.

Als fortlaufende Ausstellung, setzt sich das Projekt „Resonanzen“ bis Ende 2026 im eigenen Tempo fort. Es wird sich in einem fließenden Prozess weiterentwickeln und verändern. Ein monatliches Veranstaltungsprogramm lädt zu Begegnungen und Dialog ein.

Parallel dazu setzt die Stadtgalerie die Reihe POSITION mit zwei Arbeiten des Künstlers  Via Lewandowsky fort.

EN

Resonances
Fluid Transitions and Acoustic Interspaces

Exhibition Opening: November 23, 2025 – 3:00 p.m.

Featuring artworks by:
Anja Erdmann, Marvin Fassmann, Felix Mayer, Maja Meedom, Hyunju Oh, Hanne Römer / .aufzeichnensysteme, Nicole Schuck, Peter Strickmann, Eveline Vervliet, Heiko Wommelsdorf

Curated by: Heiko Wommelsdorf and Marita Landgraf

Graphic Design: Káschem Büro and Leon Lechner

The exhibition and event program of the Künstler:innenhaus Lauenburg in autumn 2025 and throughout 2026 explores how we, as a society, can deal with uncertainties and challenges, what potential lies within them, and how positive visions of the future might look. A metaphorical as well as physical connection is made to water — to the Elbe River, which flows past the Künstler:innenhaus every day and shapes the place.

As an ongoing exhibition, the project “Resonances” will continue to evolve and transform at its own pace until the end of 2026. It will develop in a fluid process of change. A monthly program of events will invite visitors to encounter and dialogue.

In parallel, the Stadtgalerie will continue its series POSITION with two works by the artist Via Lewandowsky.

[Collaboration Project — Performance] Gagokbounce: One by One

[Collaboration Project — Performance] Gagokbounce: One by One

Concert, Performance

• Presented by:

  Wien Modern 38 | https://www.wienmodern.at/en

• Program:

  Sebastian Claren, Hyunju Oh — Gagokbounce: One by One (2022, WP) · 80 min
  New Production 2025

• Cast:

  Sebastian Claren - music, text adaptation

  Theresa Hak Kyung Cha - originaltext

  Hyunju Oh - performance, stage design

  WhatWhy Art - Yoonyoung Cho (Gagok), Hong Yoo (Daegeum), Ji-Eun Kang (Haegeum), Gina Hwang (Geomungo), Woong-Sik Kim (Janggu) | www.whatwhyart.com

• Venue:

  Reaktor | Geblergasse 40, 1170 Wien | www.reaktor.art

• Date & Time:

  Friday, November 21 — 7:00 PM / talk session BAR MODERN: 9:30 PM

  Saturday, November 22 — 7:00 PM

• Produced by:

  WhatWhy Art and Wien Modern

• Supported by:

  Korea Cultural Center, Embassy of the Republic of Korea in Vienna (as part of the K_on_temporary program), the Korean Ministry of Culture, Sports and Tourism, KOFICE – Korean Foundation for International Cultural Exchange and K-arts on the GO.

• Tickets: €13.50 – €27.00 / €5 with festival pass

  https://ticket.wienmodern.at/en/buyingflow/tickets/14841/22130/

EN) Gagokbounce: One by One is a full-length project with text by Theresa Hak Kyung Cha that interweaves music, language, and performance. Sebastian Claren's composition combines precise formal structures with echoes of traditional Korean music, allowing the existential text to be experienced anew through sound. Hyunju Oh complements the musical layer with performative and visual signatures of memory, identity, and transformation. Together, they open up a space in which sounds, gestures, and images merge into an intense poetic experience.

DE) Gagokbounce: One by One ist ein abendfüllendes Projekt mit einem Text von Theresa Hak Kyung Cha, das Musik, Sprache und Performance miteinander verwebt. Sebastian Claren schafft eine Komposition, die präzise formale Strukturen mit Anklängen an traditionelle koreanische Musik verbindet und den existentiellen Text klanglich neu erfahrbar macht. Hyunju Oh ergänzt die musikalische Ebene durch performative und visuelle Signaturen von Erinnerung, Identität und Transformation. Gemeinsam öffnen sie einen Raum, in dem Klänge, Gesten und Bilder zu einer intensiven poetischen Erfahrung verschmelzen.

KR) 차학경의 텍스트를 바탕으로 한 “가곡바운스 : 하나씩 하나씩”은 음악, 언어, 퍼포먼스를 결합한 하나의 장편 프로젝트다.  세바스티안 클라렌(Sebastian Claren)은 전통 한국 음악의 향기를 담은 정교한 형식 구조를 통해, 실존적 텍스트를 소리적으로 새롭게 경험하게 하는 작품을 탄생시켰다. 오현주는 기억, 정체성, 변형에 대한 퍼포먼스와 시각적 기호를 그 음악의 차원에 더한다. 그들은 함께 소리, 제스처, 이미지가 강렬한 시적 경험으로 융합되는 공간을 열어낸다.

[Audio Book Release] 모든 감각으로 : 클랑쿤스트

모든 감각으로: 클랑쿤스트 Klangkunst  |  소리 · 공간 · 미디어 · 신체  |  Interviews with Arnold Dreyblatt, Christina Kubisch, Bernhard Leitner, Helga de la Motte-Haber, Franz Martin Olbrisch

클랑쿤스트(Klangkunst): 삶과 자연, 소리-미학적 실험실에서 작곡된 사운드는 시각적 오브제 예술로 간주되며, 정교하게 배치된 공간들과 밀접하게 연결된다.

감각하고 다르게 보게되는 것, 그 사이에서의 발견과 놀라움. 클랑쿤스트(Klangkunst)는 하나의 상호 감각적 예술로써, 새로운 질문들을 던지며 새로운 경험을 불러일으킨다.

엮은이/인터뷰어: 슈테판 프리케, 오현주

인터뷰이: 아놀드 드레이블랫, 크리스티나 쿠비쉬, 베른하르트 라이트너, 헬가 드 라 모테-하버, 프란츠 마틴 올브리쉬

인터뷰 번역(한국어): 오현주

출판: 아트북프레스 Art Book Press (서울 2024) https://www.artbookpress.co.kr/

오디오북 제작: 사운드 로이

성우진: 정재헌, 조송희, 이진선, 김세란, 정창훈, 정성현

러닝 타임: 05:09:54

* 이 콘텐츠는 출판문화산업진흥원의 지원으로 제작되었습니다.

차례:

• 서문: 사운드 아트(Sound Art) 또는 클랑쿤스트(Klangkunst) ㅡ 오현주

• “저는 종아리보다 무릎을 통해 소리를 더 잘 듣죠." ㅡ Bernhard Leitner(베른하르트 라이트너)

• “클랑쿤스트(Klangkunst)는 제 삶입니다." ㅡ Christina Kubisch(크리스티나 쿠비쉬)

• “우리의 귀도 조율해야하죠.” ㅡ Arnold Dreyblatt(아놀드 드레이블랫)

• "모든 음향 및 시각적 사건들은 주제에 포함되어야 합니다.” ㅡ Franz Martin Olbrisch(프란츠 마틴 올브리쉬)

• “클랑쿤스트(Klangkunst), 그것은 개척 해야 할 분야입니다." ㅡ Helga de la Motte-Haber(헬가 드 라 모테-하버)

• 후문: 동독(DDR)에서 유래된 용어 -'클랑쿤스트'(Klangkunst) ㅡ Stefan Fricke(슈테판 프리케)

* <모든 감각으로: 클랑쿤스트> 오디오북은 교보문고 / 알라딘 에서 만나실 수 있습니다.

• https://ebook-product.kyobobook.co.kr/dig/epd/ebook/E000012077101

• https://www.aladin.co.kr/shop/wproduct.aspx?ItemId=375379808

---

With All the Senses: Klangkunst  |  Sound - Space - Media - Body  |  Interviews with Arnold Dreyblatt, Christina Kubisch, Bernhard Leitner, Helga de la Motte-Haber, Franz Martin Olbrisch

Klangkunst: composed sounds (from life, nature, acoustic-aesthetic laboratory) are closely linked to visual object art, with specially arranged spaces.

“Klangkunst” is an inter-sensory art that raises many new questions and offers new experiences: discovering, wondering, feeling, seeing differently, hearing differently…

Authors / Interviewers: Stefan Fricke, Hyunju Oh

Interviewees: Arnold Dreyblatt, Christina Kubisch, Bernhard Leitner, Helga de la Motte-Haber, Franz Martin Olbrisch

Translator (into Korean): Hyunju Oh

Publisher: 아트북프레스 Art Book Press (Seoul 2024) https://www.artbookpress.co.kr/

Audiobook Production (2025): SOUND ROI

Voice Cast: Jung Jae-heon, Cho Song-hee, Lee Jin-seon, Kim Se-ran, Jung Chang-hoon, Jung Sung-hyun

Running Time: 05:09:54

* This content was produced with support from the Publication Industry Promotion Agency of Korea.

Contents:

• Foreword: Sound Art or Klangkunst ㅡ Hyunju Oh

• “I can hear better with my knee than with my calf” ㅡ Bernhard Leitner

• “Klangkunst is my life” ㅡ Christina Kubisch

• “Ears must also be tuned” ㅡ Arnold Dreyblatt

• “Include all acoustic and visual events in the concept” ㅡ Franz Martin Olbrisch

• “Klangkunst: a field to be conquered” ㅡ Helga de la Motte-Haber

• Afterword: Klangkunst – a term from the GDR ㅡ Stefan Fricke

---

[Catalog] Auf den Spuren Bildender Künstlerinnen

Quelle: https://intervallverlag.com/kunst/

Auf den Spuren Bildender Künstlerinnen

Ausstellungskatalog/Dokumentation

Herausgegeben vom Deutschen Künstlerbund in Kooperation mit dem Projekt Kunst-Mentoring (Kulturbüro Rheinland-Pfalz)

Anlässlich seiner Wiedergründung nach dem 2. Weltkrieg vor 75 Jahren blickt der Deutsche Künstlerbund auf das Schaffen von Künstlerinnen seit 1950 und unternimmt hierbei eine kritische Analyse von bis heute bestehenden Hindernissen in Bezug auf eine wirkliche Gleichstellung von Frauen im Kunstbetrieb. Die hieraus hervorgegangene Ausstellung Our Voices – Auf den Spuren Bildender Künstlerinnen im Wilhelm-Hack-Museum (Ludwigshafen am Rhein, 24. Mai–14. September 2025), kuratiert von Dr. Almut Hüfler, zeigt vierundzwanzig Positionen bildender Künstlerinnen aus diesem Zeitraum von 75 Jahren. In einem Spektrum verschiedener Medien – von Malerei über Zeichnung, Skulptur, Druckgrafik, Textilkunst, Installation bis hin zu Fotografie und Video – beleuchtet sie sowohl die individuelle, biografische Situation von Künstlerinnen als auch vielfältige Aspekte der sich wandelnden Stellung von Frauen in der Gesellschaft. Die im INTERVALLVERLAG erscheinende Publikation Auf den Spuren Bildender Künstlerinnen präsentiert die 24 Beiträge der an der Ausstellung beteiligten Künstlerinnen, würdigt 10 herausragende Biografien von Künstlerinnen des Deutschen Künstlerbundes aus den letzten 75 Jahren und dokumentiert das der Ausstellung vorausgegangene zweijährige Rechercheprojekt.

Mit Werken von: Hannah Höch, Annot Jacobi, Maina Miriam Munsky, Daniela Comani, CRIPTO SIRENAS, Eva & Adele, Magdalena Kallenberger, MATERNAL FANTASIES, Almut Linde, Christiane Löhr, Jule Tabea Martin, Karin Sander, Zusanna Skiba, Anika Joyce Sadiq, Bettina Semmer, Mary Baumeister, Emy Roeder, Niki de Saint Phalle, Annegret Soltau, Aen Sauerborn, Madeleine Dietz, Margrit Eicher, Tatjana Doll, Alicia Kwade.

»Vielleicht vertreibt mein Werk manchen die Angst vor der Wirklichkeit.«

Emy Roeder, 1970

Textbeiträge (dt./engl.): Claudia Roth, Katharina Binz, Maria Lineares und Cornelia Rößler, Simone Demandt, Gala Goebel, Magdalena Kallenberger, Hyunju Oh, Cornelia Renz, Ani Schulze, Lea Wittich, Antonia Moldenhauer, Dr. Almut Hüfler, Fedra Benoli.

144 Seiten, 65 farbige Abbildungen, 16 s/w Abbildungen, Softcover, 29,7 × 21,0 cm

ISBN 978-3-949862-90-8

22,00 €

[Solo Performance] Verbogen, Verborgen — 7 Performances und 7 Klänge

[Solo Performance] Verbogen, Verborgen — 7 Performances und 7 Klänge

Performances, Drawings

• Venue:

  basis Frankfurt | Gutleutstraße 8-12 (main building, exhibition space – left side of the mezzanine), 60329 Frankfurt am Main

• Date & Time:

  Friday, September 26 — 5:00 PM and 7:00 PM

  Saturday, September 27 — 5:00 PM and 7:00 PM

  Sunday, September 28 — 3:00 PM and 5:00 PM

• Supported by:

  De la Motte Musikstiftung, Kulturamt Frankfurt am Main

• Venue provided by:

  basis Frankfurt e.V.

EN) Stressful situations, such as those involving compulsion and anxiety, lead to repetition and excessive mental activity. This pattern is cyclical but also improvised and only partially structured. In Hyunju Oh's three-day solo performance, "Verbogen, Verborgen – 7 Performances und 7 Klänge" (EN: Bent, Veiled — 7 Performances and 7 Sounds / September 26–28, 2025, Frankfurt am Main), these fleeting moments are intensified, and the physical and mental behavioral reactions are illuminated. The project consists of seven consecutive performances that use everyday actions and objects as material. Repetitions and changes in sound create a fragmented narrative within the continuum of time.

*This performance is part of the 7 Performances series, which has been staged by Hyunju Oh annually in Frankfurt am Main since 2023.

DE) Stresssituationen wie Zwangs- und Angstzustände führen zu Wiederholungen und exzessiver psychischer Aktivität. Dieses Muster ist zyklisch, aber auch improvisiert und nur teilweise strukturell. In Hyunju Ohs dreitägiger Soloperformance „Verbogen, Verborgen – 7 Performances und 7 Klänge“ (26.-28. September 2025, Frankfurt am Main) werden diese flüchtigen Momente intensiviert und physisch-mentale Verhaltensreaktionen beleuchtet. Das Projekt mit sieben aufeinanderfolgenden Performances verwendet alltägliche Handlungen und Objekte als Material. Wiederholungen und Veränderungen der Klänge bilden eine fragmentierte Erzählung im Kontinuum der Zeit.

*Diese Performance ist Teil der Reihe „7 Performances“, die Hyunju Oh seit 2023 jährlich in Frankfurt am Main realisiert.

KR) 강박과 불안과 같은 스트레스 상황은 반복과 과도한 정신 활동을 초래한다. 이 패턴은 주기적이면서도 즉흥적이며 부분적으로는 구조적이기도 하다. 3일동안 진행되는 오현주 작가의 솔로 퍼포먼스 "Verbogen, Verborgen – 7 Performances und 7 Klänge” (EN: Bent, Veiled — 7 Performances and 7 Sounds / 2025년 9월 26일~28일, 프랑크푸르트 암 마인)에서는 이러한 찰나의 순간들이 강렬하게 증폭되고 신체적·정신적 행동 반응이 조명된다. 일곱 편의 연속 퍼포먼스로 구성된 이 프로젝트는 일상적인 행동과 사물을 소재로 사용한다. 소리의 반복과 변화는 시간의 연속체 속에서 단편적인 서사가 형성된다.

*이 퍼포먼스는 2023년부터 매년 독일 프랑크푸르트 암 마인에서 진행하는 오현주 작가 "7 Performances” 시리즈의 일환이다.

[Catalog] Hyunju Oh - Mutterboden

Hyunju Oh

Mutterboden

DE „Mutterboden“ – eine Metapher für die Verankerung des Lebens – markiert ein Raum-Zeit-Kontinuum, in dem Existenz, Zeit und Emotionen ineinandergreifen. Hyunju Ohs thematisch weit gespannte ästhetische (Um-)Setzungen des Begriffes „Mutterboden“ verhandeln ein ebenso weites Spannungsfeld. Dessen Kontrastpole sind die humusreiche wie liebevolle Bestellung des Lebens, des Bodens für das Kind durch die Mutter und – als krasses Gegenteil davon - das Wegziehen des Bodens unter den Füßen des Kindes durch die Mutter. Die metaphorisch-symbolischen Bilder der „Mutter“ und die damit verbundenen Assoziationen zu (unseren) Erfahrungsgeschichten, die sich in Stimmen und Landschaften, Licht und Dunkelheit, Träumen und Traumata offenbaren: „Der Nebel war mein Boden. Ich wachte auf; nichts berührte meine Zehenspitzen.“

In ihrem Atelier in Frankfurt am Main arbeitet die Künstlerin Hyunju Oh (*1988, Daegu, Südkorea) in den Bereichen Audio-Drama-Installation, intermediale Installation, Performance, Video, Fotografie und Zeichnung. Sie hat an zahlreichen internationalen Klangkunstfestivals und Ausstellungen teilgenommen; Einzelausstellung 2022 im Nassauischen Kunstverein Wiesbaden.

EN “Mutterboden” (Mother Soil) – a metaphor for the anchoring of life – marks a space-time continuum in which existence, time, and emotions intertwine. Hyunju Oh's thematically wide-ranging aesthetic (re)interpretations of the term “Mutterboden” negotiate an equally broad field of tension. Its contrasting poles are the humus-rich and loving cultivation of life, of the soil for the child by the mother, and – as the stark opposite – the pulling away of the soil from under the child's feet by the mother. The metaphorical and symbolic images of the “mother” and the associated associations with (our) experiences, which reveal themselves in voices and landscapes, light and darkness, dreams and traumas: “The fog was my ground. I woke up; nothing touched the tips of my toes.”

In her studio in Frankfurt am Main, artist Hyunju Oh (*1988, Daegu, South Korea) works in the fields of audio drama installation, intermedia installation, performance, video, photography, and drawing. She has participated in numerous international sound art festivals and exhibitions; solo exhibition in 2022 at the Nassauischer Kunstverein Wiesbaden.

KR “Mutterboden” (표토) – 삶의 정박을 상징하는 이 은유는 존재, 시간, 감정이 서로 얽혀 있는 시공간의 연속체에서 드러난다. 주제적으로도 광범위한 오현주 작가의 미학적 (재)해석 "Mutterboden"(무터보덴 : 어머니의 땅, 표토)이라는 개념 또한 넓은 긴장의 지대를 다룬다. 그것의 양극은, 어머니가 아이를 위해 비옥하고 사랑으로 가꾼 땅과, 어머니가 아이의 발 아래 땅을 걷어내는 행위, 그 사이에서 극명히 대비된다. "어머니"의 은유적·상징적 이미지와 이에 연결된 (우리의) 경험적 이야기들은 목소리와 풍경, 빛과 어둠, 꿈과 트라우마를 통해 현현한다. — "안개는 나의 땅이었다. 나는 잠에서 깨어났고, 내 발 끝엔 아무 것도 닿지 않았다."

독일 프랑크푸르트 암 마인을 기반으로 활동하는 아티스트 오현주(1988년, 대구 출생)는 오디오 드라마 설치, 인터미디어 설치, 퍼포먼스, 비디오, 사진, 드로잉 등 다양한 매체를 통해 작업한다. 작가는 다수의 국제 사운드 아트 페스티벌과 전시에 초청되었으며, 2022년 나사우이셔 쿤스트페어라인 비스바덴에서 개인전을 가진 바 있다.

18 € (inkl. MwSt.)

Festeinband | 14,8 x 20 cm | 112 Seiten | 63 Farbabbildungen | Deutsch (Extra-Booklets in Englisch und Koreanisch)

Künstlerin: Hyunju Oh | Texte: Dorothea Erbele-Küster, Elke Gruhn, Jin-Myung Lee, Hyunju Oh | Übersetzung: Steven Lindberg (Deutsch ins Englisch), Seohyun Im (Koreanisch ins Englisch) | Redaktion: Stefan Fricke

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Hardcover | 14.8 x 20 cm | 112 pages | 63 color illustrations | German (extra booklets in English and Korean)

Artist: Hyunju Oh | Texts: Dorothea Erbele-Küster, Elke Gruhn, Jin-Myung Lee, Hyunju Oh | Translation: Steven Lindberg (German to English), Seohyun Im (Korean to English) | Editing: Stefan Fricke

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Printed in Germany, 2025

ISBN 978-3-89727-565-2

www.pfau-verlag.de

Orders via bookshops or directly from the publisher: info@pfau-verlag.de

[Book Talk & Performance] 모든 감각으로 : 클랑쿤스트 - 이호철북콘서트홀

[Book Talk & Performance] 모든 감각으로 : 클랑쿤스트

27.05.2025 | 7:00 PM-10:00 PM

Lecture, talk, performance, installation | Book Talk

이호철북콘서트홀 LBCH Museum: 대한민국 서울특별시 은평구 통일로 767 호반베르디움스테이원 102동 2층

• LanguageGerman/Korean, Korean handout

• Pricefree of charge, no registration required

책 『모든 감각으로 : 클랑쿤스트』(2024)의 공동 편저자 슈테판 프리케와 오현주, 출판사 아트북프레스의 대표 조숙현과의 대화

2025년 5월 28일 저녁 7시, 이호철북콘서트홀

형식: 강연, 담화, 프레젠테이션 (퍼포먼스, 설치)

언어: 독일어, 한국어

책 정보

• 모든 감각으로: 클랑쿤스트 Klangkunst | 소리 · 공간 · 미디어 · 신체 | Interviews with Arnold Dreyblatt, Christina Kubisch, Bernhard Leitner, Franz Martin Olbrisch, Helga de la Motte-Haber

• 엮은이: 슈테판 프리케(Stefan Fricke), 오현주

• 번역: 오현주

• 출판사: Art Book Press https://www.artbookpress.co.kr/

발견과 경탄. 감각하며 다르게 보고, 다르게 듣는 것 — 클랑쿤스트는 많은 질문을 던지며 경험을 선사하는 하나의 상호 감각적 예술이다. 삶과 일상, 자연, 음향 실험실에서 작곡된 사운드는 클랑쿤스트(Klangkunst)안에서 시각적 오브제 예술과 밀접하게 연결되고, 이는 소리가 들려오는 조각이자 특별한 울림의 공간이 된다.

아트북프레스(서울)의 책 『모든 감각으로 : 클랑쿤스트』는 현대 예술과 현대 음악 맥락에서의 클랑쿤스트(Klangkunst) 현장과 역사를 조명한다. 이 책에는 공동 편저자인 슈테판 프리케와 오현주가 네 명의 아티스트 아놀드 드레이블랫, 크리스티나 쿠비쉬, 베른하르트 라이트너, 프란츠 마틴 올브리쉬, 그리고 음악학자이자 클랑쿤스트 전문가 헬가 드 라 모테-하버와 진행한 인터뷰들이 수록되어 있다. 많은 시각자료가 포함된 이 책은 슈테판 프리케의 에세이 단편을 통해 하나의 놀라운 조어(造語)이기도한 용어 “클랑쿤스트”의 탄생에 관해서도 함께 다룬다.

북토크 정보

이 책의 공동 편저자인 슈테판 프리케와 오현주 그리고 아트북프레스 출판사의 조숙현 대표와 함께 진행될 이 북토크에서는 클랑쿤스트(Klangkunst)에 관한 통찰을 공유하며, 책 『모든 감각으로 : 클랑쿤스트』 기획 및 출판 배경에 관한 이야기로 진행된다. 더불어 인터미디어 아티스트인 오현주 작가의 퍼포먼스 <Pain, unspecified(상세불명의 통증)>(2019)와 본 책의 인터뷰이인 프란츠 마틴 올브리쉬의 클랑쿤스트 인스톨 <Syphon>(2009)이 선보일 예정이다.

프로그램 순서

• 인사 및 소개 “독일/오스트리아의 클랑쿤스트에 관한 한국어 책의 출판 기획에 관하여” — 조숙현 (서울 아트북프레스 대표)

• “클랑쿤스트 책의 구상 배경 및 동기에 관하여” — 오현주 (공동 편저자 및 역자)

• “클랑쿤스트 Klangkunst는 무엇인가?” (Part 1) — 슈테판 프리케 (공동 편저자)

• 퍼포먼스 <Pain, unspecified(상세불명의 통증)> (2019) — 오현주 (공동 편저자 및 역자/아티스트)

• “클랑쿤스트 Klangkunst는 무엇인가?” (Part 2) — 슈테판 프리케 (공동 편저자)

• 클랑쿤스트 설치 <Syphon> (2009) — 프란츠 마틴 올브리쉬 (참여 인터뷰이/아티스트)

• 관객/독자와의 대화 - QnA

• 네트워킹

*책 『모든 감각으로 : 클랑쿤스트』 및 수록된 일부 인터뷰이의 에디션 판매

[Book Talk & Performance] 모든 감각으로 : 클랑쿤스트 - 주한독일문화원 - Goethe Institut Korea

[Book Talk] 모든 감각으로 : 클랑쿤스트

21.05.2025 | 7:00 PM-10:00 PM

Lecture, talk, performance, installation | Book Talk

https://www.goethe.de/ins/kr/ko/ver.cfm?event_id=26658302

• Goethe-Institut Seoul, Seoul

• Language: German/Korean, English handout

• Price: Free. No registration required.

About the book

Sound art is an intersensory experience that invites us to discover, marvel, sense, see, and hear differently. It combines the composed sounds of everyday life, nature, and the acoustic laboratory with visual object art, creating sounding sculptures and unique auditory spaces. The book “모든 감각으로 : 클랑쿤스트 (With All Senses: Sound Art)” by Art Book Press (Seoul) explores the world and history of sound art within the realms of contemporary art and modern music. It features interviews by Stefan Fricke and Hyunju Oh with artists Arnold Dreyblatt, Christina Kubisch, Bernhard Leitner, and Franz Martin Olbrisch, as well as musicologist and sound art expert Helga de la Motte-Haber. Additionally, Stefan Fricke contributes an essay on the origins of the term “sound art.”

With all the senses: Klangkunst
Interviews with the artists Arnold Dreyblatt, Christina Kubisch, Bernhard Leitner, Franz Martin Olbrisch and the musicologist and sound art expert Helga de la Motte-Haber
Editors: Stefan Fricke and Hyunju Oh
Translator: Hyunju Oh
Publisher: Art Book Press

About the Book Talk

At this book talk, editors Stefan Fricke and Hyunju Oh, along with Sookhyun Cho, the publisher of Art Book Press, will share insights into the state of sound art in Germany and Austria, as well as the concept and background of the book “모든 감각으로 : 클랑쿤스트 (Mit allen Sinnen: Klangkunst).” Additionally, the event will feature the sound performance “Without Words” (2020) by intermedia artist Hyunju Oh and the sound art installation “Syphon” (2009) by Franz Martin Olbrisch, one of the book's interviewees.
 

Program of the Book Talk

• Welcoming address

• Stefan Fricke (Frankfurt am Main): “Sound art - what is it? | Sound art in Germany”

• Hyunju Oh (Seoul | Frankfurt am Main): “Without Words” (2020) - sound performance

• Sookhyun Cho (publisher, Art Book Press, Seoul): “Why a Korean book about sound art in Germany and Austria?”

• Hyunju Oh: “How I came up with the idea of the sound art book”

• Discussion with the audience: Questions & Answers

• Franz Martin Olbrisch (Berlin): “Syphon” (2009) - sound art installation

• Aperitif

[Scholarship & Residency Program] Braunschweig Projects 2025/2026

[Scholarship & Residency Program] Braunschweig Projects 2025/2026

https://www.hbk-bs.de/bs-projects-english/fellows/

The international scholarship programme Braunschweig Projects is part of the promotion of emerging artists funded by the Braunschweig University of Art and the state of Lower Saxony. Since 2011, it has offered artists from all over the world the opportunity to develop and realise a project at HBK Braunschweig. Previous scholarship holders have come from Europe and overseas, including countries like China, India, Japan, Jordan, Canada, Colombia, Mexico, New Zealand, Peru and the United States of America. The programme thus enriches the university’s international orientation and network.

[Mentoring-Program] re:balance - Rudolf Augstein Stiftung

The second mentoring round has concluded. Tandems form a network.

After seven months of intensive interaction, our second mentoring round ended on April 10. To celebrate this milestone, we invited all mentors and mentees to Hamburg. We are delighted that the participants want to stay in touch and continue the cross-disciplinary exchange. It is wonderful to see that our mentoring program promotes the mentees' individual development and helps build a supportive network.

https://rudolf-augstein-stiftung.de/rebalance/

Photo: Rudolf Augstein Stiftung / Isabela Pacini

[Exhibition & Mentoring-Program] Faden im Knoten – die Runde 8

https://kunst-mentoring.de/archives/12055

Round 8 has tied up its loose ends and woven itself into the fabric of our network, establishing links with our colleagues in the process. The working phase of the mentoring round ended with an exhibition opening. "Thread in a Knot – Knot in a Thread," curated by Fedra Benoli, will be on display at the Rudolf Scharpf Gallery until April 6.

Each round gives rise to a sustainable and productive network of female artists, which takes spatial shape in Faden im Knoten. The cross-media diversity of the pieces — ranging from painting and sculpture to video art, photography, and installation — come together to form a tapestry that evokes associations. These associations evoke togetherness and reflections on the traces of encounters. The self and the other, as well as nature and one's own body, are reflected upon and deconstructed in the works, which highlight current issues in the visual arts.

The gallery's three floors become a meeting place where the participants' individual positions condense into a multi-layered thread in the knot. On behalf of the state of Rhineland-Palatinate,

State Secretary for Culture Prof. Dr. Jürgen Hardeck congratulated the participants, now no longer mentees, and thanked the mentors for their commitment.

AThe artists of the eighth round are: Samira Delzendeh and Barbara Gröbl, Isabelle Faragallah and Kerstin Mörsch, Felicia Mülbaier and Sabine Kuehnle, Hyunju Oh and Nicola Schudy, Grit Reiss and Simone Demandt, and Alina Röbke and Christine Reifenberger.

Photographer: Sebastian Weindel

Die Runde 8 hat ihre Fäden geknüpft, sich verwoben mit den Kolleginnen und eingenetzt in unser Netzwerk. Mit einer Ausstellungseröffnung ist die Arbeitsphase der Mentoring-Runde zu Ende gegangen: „Faden im Knoten – Knoten im Faden“ ist der Titel der Schau in der Rudolf Scharpf-Galerie, wo die Arbeiten der Künstlerinnen bis zum 6. April zu sehen sind, und die von Fedra Benoli kuratiert wird.

Ein nachhaltiges und produktives Künstlerinnennetzwerk entsteht durch jede Runde, das räumlich in Faden im Knoten Gestalt annimmt. Die medienübergreifende Vielfalt der Positionen – von Malerei und Bildhauerei über Videokunst, Fotografie bis hin zur Installation – fügt sich zu einem Gewebe, das Assoziationen hervorruft. Es sind Assoziationen des Miteinanders und Reflexionen über die Spuren der Begegnungen. Das Selbst und das Andere, die Natur und der eigene Körper werden in den Werken reflektiert und dekonstruiert und zeigen aktuelle Fragestellungen der Bildenden Kunst auf.

Die drei Stockwerke der Galerie werden zu einem Begegnungsraum, in dem sich die individuellen Positionen der Beteiligten zu einem vielschichtigen Faden im Knoten verdichten.

Für das Land Rheinland-Pfalz beglückwünschte der Kulturstaatssekretär Prof. Dr. Jürgen Hardeck die Teilnehmerinnen, die nun keine Mentees mehr sind, und sprach den Mentorinnen Dank für ihr Engagement aus.

Die Künstlerinnen der achten Runde: Samira Delzendeh und Barbara Gröbl; Isabelle Faragallah und Kerstin Mörsch; Felicia Mülbaier und Sabine Kuehnle; Hyunju Oh und Nicola Schudy; Grit Reiss und Simone Demandt; Alina Röbke und Christine Reifenberger.

Fotograf: Sebastian Weindel

[Press] Tracks that remain - HNA Kassel, Germany - Jan 17, 2025

About the solo show “remains of remains of remains of remains” at konzept e.V. in Kassel.

Hessische/Niedersächsische Allgemeine, January 17, 2025

Article by Marike Heihoff, Kassel

[Group Show] Faden im Knoten - Knoten im Faden

[Group Show] Faden im Knoten - Knoten im Faden

Performance & performance relic: Pain, unspecified (2019) · Sound and video installation: Traces (2023)

• Venue:

  Rudolf-Scharpf-Galerie of the Wilhelm Hack Museum | Hemshofstraße 54, 67063 Ludwigshafen am Rhein

• Duration:

  Jan 19 - Apr 6, 2025

• Vernissage Date & Time:

  Saturday, Jan 18, 2025, 5:30 PM

• Opening Hours:

  Friday - Sunday from 11 AM to 6 PM

• Artists: Samira Delzendeh und Barbara Gröbl; Isabelle Faragallah und Kerstin Mörsch; Felicia Mülbaier und Sabine Kuehnle; Hyunju Oh und Nicola Schudy; Grit Reiss und Simone Demandt; Alina Röbke und Christine Reifenberger.

• The Kunst-Mentoring project is sponsored by the Cultural Office of the State of Rhineland-Palatinate and is currently supported by the Ministry for Family, Women, Culture and Integration of the State of Rhineland-Palatinate.

• The exhibition is sponsored by the Wilhelm Hack Museum and the Ministry for Family, Women, Culture and Integration of the State of Rhineland-Palatinate.

[Solo Show] remains of remains of remains of remains

[Solo Show] remains of remains of remains of remains

Performance · sound and performance relic installation · photo series · drawings

• Venue:

  Konzept e.V. | Tischbeinstr. 2, 34121 Kassel

• Duration:

  Jan 10 - Jan 25, 2025

• Vernissage Date & Time:

  Friday, Jan 10, 2025, 6:00 PM

• Opening Hours:

  Saturday - Sunday from 4 PM to 6 PM

• The exhibition is part of the Medien:Kunst:Gesellschaft (Media:Art:Society) program in the Galerie des Konzept e.V. and is sponsored by the City of Kassel, the Hessian Ministry of Higher Education, Research, Science and the Arts and the Gerhard Fieseler Foundation.

[Research Results Presentation] Auf den Spuren Bildender Künstlerinnen

Quelle: https://www.kuenstlerbund.de/deutsch/projekte/projekte-ab-2011/2024_stipendiatin_hyunju_oh.html?anc=3161

Auf den Spuren Bildender Künstlerinnen

Stipendiatin Hyunju Oh  | Theresa Hak Kyung Cha

Der Deutsche Künstlerbund und das Kunst-Mentoring – ein Projekt des Kulturbüros Rheinland-Pfalz – freuen sich sehr, hier einen Einblick in das Rechercheergebnis der Stipendiatin Hyunju Oh zu geben:

 HYUNJU OH | THERESA HAK KYUNG CHA

Das Rechercheprojekt von Hyunju Oh bezog sich auf Arbeiten der koreanisch-amerikanischen Künstlerin Theresa Hak Kyung Cha (1951–1982), deren interdisziplinäre, intermediale und polyglotte Kunst sie ebenso faszinierte wie Chas Biografie, die sie tief erschütterte. Die Recherchen von Hyunju Oh umfassten neben den üblichen Lektüremethoden auch zwei exklusiv geführte Interviews: eines mit der Kunsthistorikerin Kim Hong Hee (Seoul) und eines mit dem deutschen Komponisten Sebastian Claren (Berlin/Seoul), beide ausgewiesene Kenner von Chas Kunst.

Außerdem setzte sich Hyunju Oh künstlerisch mit der ästhetischen Welt von Theresa Cha auseinander, insbesondere weil sich einige Aspekte von Theresa Chas Kunst in ihrer eigenen Kunst zu spiegeln scheinen, obwohl sie Chas Arbeiten erst im Februar 2024 zufällig kennengelernt hatte. Diese Begegnung ergriff Hyunju Oh zutiefst und hat sie nachhaltig beeinflusst. Unter Verwendung einiger, teils ähnlicher Materialien, die schon Theresa Cha in ihren (Video-)Performances einsetzte, näherte sie sich Chas ästhetischem Idiom an und entwickelte daraus eine eigenständige, ihrem künstlerischen Idiolekt entsprechende Performance-Relikt-Installation. Diese etwa 15-minütige Arbeit mit dem Titel MAH-UHM (For Theresa Hak Kyung Cha) wurde im Oktober 2024 realisiert.

Das Projekt ist eine Kooperation des Deutschen Künstlerbundes e.V. mit dem Kunst-Mentoring und wird vom Ministerium für Familie, Frauen, Kultur und Integration des Landes Rheinland-Pfalz gefördert, sowie in Kooperation mit der Stiftung Kunstfonds realisiert.

Hyunju Oh, »MAH-UHM (for Theresa Hak Kyung Cha)« - Stills aus der Performance-Dokumentation, 2024, © Hyunju Oh, Foto: Hyunju Oh

Hyunju Oh, »MAH-UHM (for Theresa Hak Kyung Cha)« - Relikt-Intallation der Performance-Dokumentation, 2024, © Hyunju Oh, Foto: Hyunju Oh

[Book Release] <모든 감각으로: 클랑쿤스트 | 소리 · 공간 · 미디어 · 신체 | Interviews with Arnold Dreyblatt, Christina Kubisch, Bernhard Leitner, Helga de la Motte-Haber, Franz Martin Olbrisch >

모든 감각으로: 클랑쿤스트 Klangkunst  |  소리 · 공간 · 미디어 · 신체  |  Interviews with Arnold Dreyblatt, Christina Kubisch, Bernhard Leitner, Helga de la Motte-Haber, Franz Martin Olbrisch

클랑쿤스트(Klangkunst): 삶과 자연, 소리-미학적 실험실에서 작곡된 사운드는 시각적 오브제 예술로 간주되며, 정교하게 배치된 공간들과 밀접하게 연결된다.

감각하고 다르게 보게되는 것, 그 사이에서의 발견과 놀라움. 클랑쿤스트(Klangkunst)는 하나의 상호 감각적 예술로써, 새로운 질문들을 던지며 새로운 경험을 불러일으킨다.

엮은이/인터뷰어: 슈테판 프리케, 오현주

인터뷰이: 아놀드 드레이블랫, 크리스티나 쿠비쉬, 베른하르트 라이트너, 헬가 드 라 모테-하버, 프란츠 마틴 올브리쉬

인터뷰 번역(한국어): 오현주

출판: 아트북프레스 Artbookpress (서울 2024) https://www.artbookpress.co.kr/

ISBN: 979-11-977853-7-5

차례:

• 서문: 사운드 아트(Sound Art) 또는 클랑쿤스트(Klangkunst) ㅡ 오현주

• “저는 종아리보다 무릎을 통해 소리를 더 잘 듣죠." ㅡ Bernhard Leitner(베른하르트 라이트너)

• “클랑쿤스트(Klangkunst)는 제 삶입니다." ㅡ Christina Kubisch(크리스티나 쿠비쉬)

• “우리의 귀도 조율해야하죠.” ㅡ Arnold Dreyblatt(아놀드 드레이블랫)

• "모든 음향 및 시각적 사건들은 주제에 포함되어야 합니다.” ㅡ Franz Martin Olbrisch(프란츠 마틴 올브리쉬)

• “클랑쿤스트(Klangkunst), 그것은 개척 해야 할 분야입니다." ㅡ Helga de la Motte-Haber(헬가 드 라 모테-하버)

• 후문: 동독(DDR)에서 유래된 용어 -'클랑쿤스트'(Klangkunst) ㅡ Stefan Fricke(슈테판 프리케)

* <모든 감각으로: 클랑쿤스트>는 교보/알라딘/예스24 에서 만나실 수 있습니다.

• https://product.kyobobook.co.kr/detail/S000214921439

• https://www.aladin.co.kr/shop/wproduct.aspx?ItemId=353409144

• https://www.yes24.com/Product/Goods/139911988

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With All the Senses: Klangkunst  |  Sound - Space - Media - Body  |  Interviews with Arnold Dreyblatt, Christina Kubisch, Bernhard Leitner, Helga de la Motte-Haber, Franz Martin Olbrisch

Klangkunst: composed sounds (from life, nature, acoustic-aesthetic laboratory) are closely linked to visual object art, with specially arranged spaces.

“Klangkunst” is an inter-sensory art that raises many new questions and offers new experiences: discovering, wondering, feeling, seeing differently, hearing differently…

Authors / Interviewers: Stefan Fricke, Hyunju Oh

Interviewees: Arnold Dreyblatt, Christina Kubisch, Bernhard Leitner, Helga de la Motte-Haber, Franz Martin Olbrisch

Translator (into Korean): Hyunju Oh

Publisher: 아트북프레스 Artbookpress (Seoul 2024) https://www.artbookpress.co.kr/

ISBN: 979-11-977853-7-5

Contents:

• Foreword: Sound Art or Klangkunst ㅡ Hyunju Oh

• “I can hear better with my knee than with my calf” ㅡ Bernhard Leitner

• “Klangkunst is my life” ㅡ Christina Kubisch

• “Ears must also be tuned” ㅡ Arnold Dreyblatt

• “Include all acoustic and visual events in the concept” ㅡ Franz Martin Olbrisch

• “Klangkunst: a field to be conquered” ㅡ Helga de la Motte-Haber

• Afterword: Klangkunst – a term from the GDR ㅡ Stefan Fricke

[Magazine] Neue Zeitschrift für Musik #4_2024

“Musik im Internet - Hyunju Oh: Meine Füße reichen nirgendwohin“ von Johannes S. Sistermanns

Neue Zeitschrift für Musik, #4_2024, Germany

[Online Workshop] Auf den Spuren Bildender Künstlerinnen

04.12.2024

Online Workshop, 14:00 bis 19:00 Uhr

Einladung und Programm

Auf den Spuren Bildender Künstlerinnen

Einladung zum Online Workshop »Auf den Spuren Bildender Künstlerinnen«

Der Deutsche Künstlerbund und das Kunst-Mentoring des Kulturbüros Rheinland-Pfalz laden herzlich zu einem Workshop ein. Die sechs Stipendiatinnen, die Kunsthistorikerin Antonia Moldenhauer, die Leiterin des Kunst-Mentoring Julia Malcherek sowie die Kuratorin Dr. Almut Hüfler präsentieren ihre facettenreichen Rechercheergebnisse im Rahmen des Projekts »Auf den Spuren Bildender Künstlerinnen«. Das Projekt fördert die Gleichstellung in der Bildenden Kunst und stärkt die Sichtbarkeit von Künstlerinnen, indem es auf künstlerische, archivbasierte und kuratorische Recherchen setzt.


Im Workshop erhalten die Teilnehmer*innen Einblick in:

- Künstlerische Recherchen, die sich vergessenen Positionen von Kolleginnen widmen

- Archivstudien zu Biografien von Künstlerinnen des Deutschen Künstlerbunds

- Regionale Sichtbarkeitsanalysen von Künstlerinnen in Rheinland-Pfalz

- Kuratorische Recherchen zur Vorbereitung einer Ausstellung im Mai 2025


Wir freuen uns auf Ihre Teilnahme und einen inspirierenden Austausch über die vorgestellten Ergebnisse!

Das genaue Programm entnehmen Sie bitte dem PDF.



Anmeldung:
https://us06web.zoom.us/meeting/register/tZEtfuuorT8iE9D9HDadGbP-HBfC46xa58eC

Mit besten Grüßen

Deutscher Künstlerbund

Kunst-Mentoring des Kulturbüros Rheinland-Pfalz 

 

Das Projekt ist eine Kooperation des Deutschen Künstlerbundes e.V. mit dem Kunst-Mentoring und wird vom Ministerium für Familie, Frauen, Kultur und Integration des Landes Rheinland-Pfalz gefördert, sowie in Kooperation mit der Stiftung Kunstfonds realisiert.

[Group Exhibition] RITUALE

Mutter. Seele. Allein: audio drama installation, 2024 (premiere)

• Venue:

  LTK4 · Klangbasierte Künste Köln | Martin-Luther-Platz 2-4, 50677 Köln

• Duration:

  Nov 27 - Nov 30, 2024

• Vernissage Date & Time:

  Wednesday, Nov 27, 2024, 8:00 PM

• Opening Hours:

  27.11.2024 · 8 PM

  and until 30.11. by appointment

• The work “Mutter. Seele. Allein" is sponsored by the Hessian Ministry of Higher Education, Research, Science and the Arts - HMWK (2024)

  https://ltk4.de/